A photographer’s notebook on process, craft, and time

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By

Rob Wehmeier

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21.06.2023

The Long Shadow

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Topics

Analog
Field Notes
Made Things
On Photography
Process
Travel

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Albany Alternative Process Antique Photograph Architecture Art Institute Atlanta Beach Beverly Shores Black & White Boston C330 Canon Cat Chicago Collage Collodion Commercial Crappy Camera Culver Darkroom Deardorff Debonair Digital Dunes England Fall Family Film Fuji X-Pro Hipstamatic Instagram iPhone IQ350 Key Article Large Format Leeds Leica M6 M240 Mamiya Manchester Matthiessen State Park Medium Format Michigan Motion New York Office OPACC P65+ Paper Negative Pebbles Phase One Portait Projects R8 Railroad Rolleiflex Santa Fe Scrapping Smokey Mountains South Carolina Stellwagan Farm Street Photography Studio Summitar Sweden Tronto Video VSCOC Wet Plate York

"I stand still or move slowly, feeling things like the impulse of shapes, the direction of lines, the quality of surfaces. I frame with my eye (sometimes with my hands) as the ground glass would frame. Nothing that one could reasonably call thinking is taking place al this stage. The condition is total absorption; the decision (a picture) is spontaneous." 
                         - Aaron Siskind

A photographer's notebook on process, craft, and time

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