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Chiaroscuro
And other musings on Cangiante, Sfumato, and Unione

Tag Leica

Deal Days

  • By Rob Wehmeier
  • August 4, 2019

 Welcome to Rob’s house of used water safety helmets. We dive deep to make great deals.

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Categories Black & White Leica
Tags: Black & White Leica M240

And at the starting gate……

  • By Rob Wehmeier
  • June 23, 2019
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Categories Black & White Leica
Tags: Black & White Leica M240

Shadows and Brick

  • By Rob Wehmeier
  • April 22, 2019

 

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Categories Black & White Leica
Tags: Black & White Leica M240

Look Ma!!! Its a Rock.

  • By Rob Wehmeier
  • January 20, 2019

I love the juxtaposition of the rock and the small figure… What exactly are you looking at sir?

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Categories Black & White Leica
Tags: Black & White Leica M240

At The Water’s Edge

  • By Rob Wehmeier
  • January 19, 2019

 

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Categories Black & White Leica
Tags: Black & White Leica M240

Happy New Year!!!

  • By Rob Wehmeier
  • January 5, 2019

 

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Categories Black & White Leica
Tags: Black & White Leica M240

Glad I’m on this side!

  • By Rob Wehmeier
  • January 3, 2019
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Categories Black & White Leica
Tags: Black & White Leica M240

Ready for the apprentice.

  • By Rob Wehmeier
  • December 30, 2018

 

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Categories Black & White Leica
Tags: Black & White Leica M240

Now those are some big decorations.

  • By Rob Wehmeier
  • December 24, 2018

 

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Categories Black & White Leica
Tags: Black & White Leica M240

A bird in the hand is better than two ladders on the second floor.

  • By Rob Wehmeier
  • December 23, 2018

 

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Categories Black & White Leica
Tags: Black & White Leica M240

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My name is Rob. My journey into photography began in the early 1970s, inspired by my older brother as he developed and printed black-and-white photographs in our basement darkroom. After a challenging eighth-grade trip to Washington, D.C., with a malfunctioning Kodak Instamatic 100, I was motivated to work a long, hot summer to earn enough money for my first camera, an Olympus OM-1. In 1986, while studying at Valparaiso University, I embarked on my photography career. For over 38 years, I have worked with both commercial and retail clients, driven by my passion for this art form.

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I stand still or move slowly, feeling things like the impulse of shapes, the direction of lines, the quality of surfaces. I frame with my eye (sometimes with my hands) as the ground glass would frame. Nothing that one could reasonably call thinking is taking place at this stage. The condition is total absorption; the decision (a picture!) is spontaneous. - Aaron Siskind, 1955

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