And other musings on Cangiante, Sfumato, and Unione
This image is from a series using an 8×10 large-format view camera and paper negative. This process dates back to 1835 to Talbot’s Salt Print. I’m using a more modern version of the process. Brian had to sit very very still and he did receive a tan from the flash.
Alternative Process Atlanta Beach Beverly Shores Black & White Boston Canon Cat Chicago Collodion Commercial Culver Darkroom Deardorff Dunes Fall Family Film Fuji X-Pro Hipstamatic Instagram iPhone IQ350 Large Format Leica M6 M240 Medium Format Michigan New York P65+ Paper Negative Pebbles Phase One Portait Projects R8 Railroad Scrapping South Carolina Stellwagan Farm Studio Summitar Sweden Wet Plate
I stand still or move slowly, feeling things like the impulse of shapes, the direction of lines, the quality of surfaces. I frame with my eye (sometimes with my hands) as the ground glass would frame. Nothing that one could reasonably call thinking is taking place at this stage. The condition is total absorption; the decision (a picture!) is spontaneous. – Aaron Siskind, 1955